Body in Motion : Artwork 7

Two ballerinas in grand jeté rendered as perfect bilateral mirror images — arms meeting at the apex, legs extended symmetrically, contained within a circle inscribed in a square frame. The composition directly references the Vitruvian figure: Leonardo da Vinci's study of the human body as both circle and square, the physical form as the meeting point of the divine and the earthly. Here two dancers replace the single figure, turning a classical proportion study into a performance duet. The bilateral symmetry creates a piece that reads from a distance as pure geometry and up close as figurative. For a studio, a sports room, or a large living room wall where architectural scale is required.